Özdüzen, Özge

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Profile URL
https://hdl.handle.net/20.500.14365/7351
Name Variants
Ozduzen, Ozge
Job Title
Email Address
ozge.ozdu@gmail.com
Main Affiliation
04.01. Cinema and Digital Media
Status
Former Staff
Website
ORCID ID
0000-0003-3639-9650
Scopus Author ID
57194324754
Turkish CoHE Profile ID
Google Scholar ID
VyVOj-IAAAAJ
WoS Researcher ID
GCQ-0038-2022

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NO POVERTY1
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ZERO HUNGER2
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CLEAN WATER AND SANITATION6
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AFFORDABLE AND CLEAN ENERGY7
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DECENT WORK AND ECONOMIC GROWTH8
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INDUSTRY, INNOVATION AND INFRASTRUCTURE9
INDUSTRY, INNOVATION AND INFRASTRUCTURE
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REDUCED INEQUALITIES10
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SUSTAINABLE CITIES AND COMMUNITIES11
SUSTAINABLE CITIES AND COMMUNITIES
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RESPONSIBLE CONSUMPTION AND PRODUCTION12
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PEACE, JUSTICE AND STRONG INSTITUTIONS16
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PARTNERSHIPS FOR THE GOALS17
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Documents

18

Citations

192

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7

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Documents

16

Citations

162

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Scholarly Output

1

Articles

1

Views / Downloads

3/0

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WoS Citation Count

10

Scopus Citation Count

16

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WoS Citations per Publication

10.00

Scopus Citations per Publication

16.00

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Socıal & Cultural Geography1
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    Article
    Citation - WoS: 10
    Citation - Scopus: 16
    Cinema-Going During the Gezi Protests: Claiming the Right To the Emek Movie Theatre and Gezi Park
    (Routledge Journals, Taylor & Francis Ltd, 2017-05-25) Ozduzen, Ozge
    This paper explores the relationship between social movements, urban regeneration programmes and media outlets in cities, with a focus on the transformation of urban culture in regards to people's engagement with the spaces of media platforms. The argument is based on the study of cinema-going practices of an audience community in Istanbul, during and preceding the Gezi uprising. By employing ethnographic methods, this paper interrogates the activism of an audience community against the impact of shopping-mallisation and commodification of Istanbul's urban spaces under AKP rule. In order to reclaim ownership of their spaces and future, this audience community claimed their right to the Emek movie theatre, Gezi Park and other parks whilst creating their own outdoor screenings and social media platforms. This paper also provides an interpretation of social movement development attached to media outlets such as film festivals and screenings, particularly the development of spatial activism in relation to people's use of films, streets and movie theatres, thus illustrating, challenging and reinforcing rights to the city. More broadly, it gives new insights on the film and protest culture of a 'secular' group within a predominantly Muslim population and shows alternative and creative methods of protesting during a popular uprising.