Savk, SerkanCam, AydinSanlier, Ilke2025-04-252025-04-2520252578-49002578-4919https://doi.org/10.1353/cj.2025.a951189https://hdl.handle.net/20.500.14365/6045In this article, we propose set-going as a novel concept for studying the experience of visiting filming locations to watch the making of a film. This experience creates a field of interaction between movie enthusiasts and movie professionals. We argue that set-going should be considered as a new trajectory for studying the cultural and social history of cinema. Theoretically, we benefit from the New Cinema History paradigm. Departing from a case study of the Ye & scedil;il & ccedil;am era of Turkish cinema (1950s-1980s), we discuss the practice of set-going as embracing a wide range of social and cultural contexts surrounding the production process.eninfo:eu-repo/semantics/closedAccessArticle10.1353/cj.2025.a9511892-s2.0-105001530895