Cardullo, Robert J.2023-06-162023-06-1620120883-11571940-3216https://doi.org/10.1080/08831157.2012.706583https://hdl.handle.net/20.500.14365/1644Jean Renoir's film La Regle du jeu (The Rules of the Game) was first shown in Paris, in 1939, and is now generally regarded as one of his masterpieces. But there is a strange side to the film. What most critics and reference books say concerning it-and they tend to say much the same thing-does not, to put it bluntly, square with the facts. What they say is that La Regle du jeu is about an aristocratic house-party that is a microcosm of the corruptness and exhaustion of French society on the eve of World War II. Far from perceiving in La Regle du jeu evidence of the corruption and exhaustion in French society that led to the country's defeat and occupation by the Germans during World War II, however, the author of this essay attempts to see the film for what it is-not for what historicist critics want it to be.eninfo:eu-repo/semantics/closedAccessartistic reputationFranceJean Renoirrevisionist interpretationThe Rules of the GameWorld War IIArticle10.1080/08831157.2012.7065832-s2.0-84866712350