| Issue Date | Title | Author(s) |
| 81 | 2013 | The Sound of Silence, the Space of Time: Monsieur Hulot, Comedy, and the Aural-Visual Cinema of Jacques Tati (an Essay and an Interview) | Cardullo, Robert ; Tati, Jacques |
| 82 | 2021 | Streaming Media Platforms: Social Implications of the Transformation of Audience Activity | Ozgun, Aras ; Treske, Andreas |
| 83 | 2020 | The Strong Female Lead: Postfeminist Representation of Women and Femininity in Netflix Shows | Ozkan, Derya ; Hardt, Deborah |
| 84 | 2021 | Süreğen Medyaplatformları:izleyici Etkinliğinin Dönüşümü Vetoplumsal Etkileri | Özgün, Aras ; Treske, Andreas |
| 85 | 2010 | Theater and Film, or Adolphe Appia and Me: a Discussion With Hans-Jurgen Syberberg | Cardullo, Robert ; Syberberg, Hans-Juergen |
| 86 | 2011 | Theatrical Melodrama, Dramatic Film, and the Rise of American Cinema: the Case of Griffith's Way Down East | Cardullo, Robert |
| 87 | 2010 | Through the Looking Glass: the American Art Cinema in an Age of Social Change | Cardullo, Bert |
| 88 | 2020 | Towards an Ethos for Commoning the City Introduction | Ozkan, Derya ; Buyuksarac, Guldem Baykal |
| 89 | 2022 | Transnational Dynamics of Turkish Film Festivals in Germany and the United States | Aydın, Tuncer Mert |
| 90 | 2021 | The Unwitting Corruption of Broadening of Marketing Into Neoliberalism: a Beast Unleashed? | Dholakia, Nikhilesh; Ozgun, Aras ; Ati̇k, Deniz |
| 91 | 2011 | Whose Life Is It, Anyway? Shaw, the Doctor's Dilemma and Modern Tragedy | Cardullo, Robert |
| 92 | 2011 | Why We Fight, or Men, War, the Movies, and Metaphor | Cardullo, Bert |
| 93 | 2021 | Women in the Cinemas of Iran and Turkey: as Images and as Image Makers | Savk, Serkan |
