****************************************************************************************************************************************
Serkan Şavk received his undergraduate degree from Ankara University, Faculty of Communication. He pursued graduate study at Hacettepe University, Department of History and received his PhD in 2014 with a dissertation titled “Doors, Privacy and Public Sphere: Spatial Structure of Istanbul in the Early Modern Period (17th-18th Centuries).” After receiving his PhD, Serkan Şavk conducted research at Princeton University, Department of History as a visiting fellow. His research interests include image-space relation from a historical perspective, early modern Ottoman cultural history, digital humanities and cinema in Turkey.
Author
Date issued
Type
Fulltext
Results 1-8 of 8 (Search time: 0.004 seconds).
Issue Date | Title | Author(s) | |
---|---|---|---|
1 | 2024 | Borrowed soundtracks: adopting the global history approach to the study of connectedness in film history | Savk, Serkan |
2 | 2020 | Club Med Foça: The Transformation of Leisure Culture in Turkey | Şavk, Serkan ; Özgün, Aras |
3 | 2022 | Doors, privacy and the public sphere: a conceptual discussion on the spatial structure of early modern Istanbul | Savk, Serkan |
4 | 2020 | Eski Görüntüler, Yeni Görüngüler: Yeşilçam Filmlerinin Üslup Özellikleri İçin Uzak Okuma Denemesi | Şavk, Serkan |
5 | 2023 | The Growth of the Turkish Film Industry and the Death of Suphi Kaner: Articulating a Star's Suicide to the History of Labour in Cinema | Savk, Serkan |
6 | 2023 | İki Platform Dizisinde Sinema Tarihi Tasvirleri ve Yeşilçam’ı Tekrar Ziyaret Etmek | Şavk, Serkan |
7 | 2021 | Mapping Yesilcam: A relational approach to the Turkish film industry | Savk, Serkan ; Dogu, Burak |
8 | 2017 | SESSİZ DÖNEM TÜRK SİNEMA TARİHİ | Şavk, Serkan |
Claim Researcher Page
Check the encrypted string of this email, put the correct string in the box below and click "Go" to validate the email and claim this profile.
Emails: s e r k * * * * * * * @ * * * * * * u . t r