Erçifci, Aytunç

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Profile URL
https://hdl.handle.net/20.500.14365/7096
Name Variants
Ercifci, Aytunç
Ercifci, Aytunc
Job Title
Email Address
aytunc.ercifci@ieu.edu.tr
Main Affiliation
04.03. Public Relations and Advertising
Status
Current Staff
Website
ORCID ID
0000-0003-1541-2334
Scopus Author ID
57201184686
Turkish CoHE Profile ID
5E1842F9ACB4276F
Google Scholar ID
WoS Researcher ID
EUQ-5547-2022
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Aytunc_Ercifci.png (87.94 KB)

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SUSTAINABLE CITIES AND COMMUNITIES
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Scholarly Output

4

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3

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10

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12

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2.50

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3.00

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3

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Critical Discourse Studies1
Ilef Dergısı1
Turkiye Iletisim Arastirmalari Dergisi-Turkish Review of Communication Studies1
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Now showing 1 - 4 of 4
  • Thumbnail Image
    Article
    In the Context of the Digital Public Sphere the Great Hack: : a Big Data-Focused Analysis
    (Marmara univ, fac communication, 2024) Tos, Onur; Ercifci, Aytunç
    Big data components are shaping the digital public sphere. The areas of use for big data components in the digital public sphere are expanding, and in this context, new digital possibilities affecting social life are increasing. This study focuses on the documentary film The Great Hack, , directed by J. Noujaim and K. Amer, which was released on the Netflix platform in 2019. The aim of the study is to identify the elements of the concept of digital public space and big data components in The Great Hack documentary film that shape the film and the narrative. It also aims to identify the embedded meanings underlying these elements. The main research question is: What are the open, axial, and selective coding transfers in the documentary film using the grounded theory approach? The data collection technique for the research is document analysis. The method of analysis is the grounded theory design, which can be used in qualitative research processes. Open, axial, and selective coding of the interaction of digital public space and big data is performed using the grounded theory pattern, adhering to the documentary film's style and narrative. In addition, themes, categories, and codes between the concepts are identified, and the connections and interactions between them are explained. As a result of the analyses, it was determined that digital media and digital traces were emphasized in the documentary film's style and narrative. Additionally, in the interaction of digital public space and big data components in the documentary film, it was found that digitalization, people's personal profiles, privacy, and data collection and processing processes are highlighted.
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    Master Thesis
    The Question of National Identity in Turkey: Reflections on Tv Series as Popular Cultural Products
    (İzmir Ekonomi Üniversitesi, 2018) Erçifci, Aytunç; Karanfil, Yüksel Gökçen
    Bu çalışma, popüler televizyon dizilerinde resmi ideolojinin ve milliyetçiliğin yeniden üretilmesini ele almaktadır. Tez boyunca temel olarak son dönemde Türkiye'de yaşanan resmi ideolojideki değişim, yeni ulus inşası ve gelenek icadı göz önünde bulundurularak milliyetçiliğin popüler kültür ürünleri ile işlenişi incelenmiştir. Devletin resmi ideolojisindeki yaşanan değişim ile birlikte medyada yeni sahiplik yapıları ve içeriksel dönüşüm olduğu gözlemlenerek resmi ideolojinin ve milliyetçiliğin yeniden üretilmesi açısından son dönem televizyon dizilerinden İsimsizler (Kanal D), Söz (Star TV) ve Savaşçı (Fox TV) dizileri analiz edilmiştir. Yayınlanma tarihleri Mart – Nisan 2017 olan bu üç televizyon dizisinin incelenmesinde, niteliksel araştırma yöntemleri ve tematik analiz yönteminden faydalanılmıştır. Bu üç dizi içerikleri bakımından 'yeni' ideolojinin yansıması olduklarından gündelik yaşamın ve popüler kültürün parçası olan televizyon dizileri üzerinden milliyetçilik, yeni ulus inşası ve ideolojinin yeniden üretilmesi konuları, Türkiye özelinde ele alınmıştır.
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    Article
    Examining National Identity Building From a Network Analysis Perspective the Semantic Structure of Kemalist Journal Ulku
    (Ankara Univ, Fac Communication, 2022) Akan, Aysun; Türkel, Selin; Uzunoğlu, Ebru; Erçifci, Aytunç
    This study focuses on Ulku the official journal of the People's Houses (Halkevieri), which was designed to create an ideology for the modern Turkish state as opposed to Ottomanism. It is aimed to examine the semantic structure of Ulku version of Kemalist modernism through holistic approach. This allows us to examine the whole by inquiring the relationship between the words in the selected articles instead of looking at the content of the journal to search for previously determined themes. Unveiling latent meaning of Ulku can have important consequences for communication literature in terms of building national identity. The findings contribute to our grasping of identity building communication practices. The study also demonstrates the utility and contribution of semantic network analysis for understanding of Ulku , as a vehicle for replacing the traditional even 'archaic' Ottoman-Muslim identity with the new modern-western identity. The initial findings of research demonstrate six permanent items (history, big, nation, year, homeland, Turkish), addressing embedded ideological latent meanings related to the modern national identity.
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    Article
    Citation - WoS: 10
    Citation - Scopus: 12
    See No Evil, Read No Evil': The Failing Role of Turkish Newspapers in Coverage of Turkey's 2016 Coup Attempt
    (Routledge Journals, Taylor & Francis Ltd, 2018) Way, Lyndon C. S.; Karanfil, Y Gökçen; Ercifci, Aytunc
    On 15 July 2016, a group of soldiers tried to wrestle political control of Turkey from the elected government. The coup attempt' was declared over within approximately 10h, but not before more than 300 civilians, police and soldiers had died. This paper examines how Turkish newspapers which are known to be oppositional' represented events of the night and the following few days before a state of emergency was declared which silenced almost all opposition. Through a close examination of images and written text, we reveal how newspapers fail to question government actions. Instead, an analysis of presuppositions and how social actors and their actions are recontextualised finds that newspapers represent events from the perspective of their political interests whilst not actually questioning the actions of the government. It is in this way that oppositional newspapers use the coup to further their interests at the expense of informing the public.