Yavuz Velipasaoglu, Didem

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Profile URL
https://hdl.handle.net/20.500.14365/7634
Name Variants
Velipasaoglu, DY
Velipasaoglu, Didem Yavuz
Job Title
Email Address
didem.velipasaoglu@ieu.edu.tr
Main Affiliation
06.04. Interior Architecture and Environmental Design
Status
Current Staff
Website
ORCID ID
0000-0001-9835-9182
Scopus Author ID
57285552100
Turkish CoHE Profile ID
FB1F2F8CB7E3AD9E
Google Scholar ID
WoS Researcher ID
JCF-0808-2023
Files
Didemm.JPG (14 KB)

Sustainable Development Goals

NO POVERTY1
NO POVERTY
0
Research Products
ZERO HUNGER2
ZERO HUNGER
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GOOD HEALTH AND WELL-BEING3
GOOD HEALTH AND WELL-BEING
0
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QUALITY EDUCATION4
QUALITY EDUCATION
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GENDER EQUALITY5
GENDER EQUALITY
0
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CLEAN WATER AND SANITATION6
CLEAN WATER AND SANITATION
0
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AFFORDABLE AND CLEAN ENERGY7
AFFORDABLE AND CLEAN ENERGY
0
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DECENT WORK AND ECONOMIC GROWTH8
DECENT WORK AND ECONOMIC GROWTH
1
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INDUSTRY, INNOVATION AND INFRASTRUCTURE9
INDUSTRY, INNOVATION AND INFRASTRUCTURE
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REDUCED INEQUALITIES10
REDUCED INEQUALITIES
0
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SUSTAINABLE CITIES AND COMMUNITIES11
SUSTAINABLE CITIES AND COMMUNITIES
1
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RESPONSIBLE CONSUMPTION AND PRODUCTION12
RESPONSIBLE CONSUMPTION AND PRODUCTION
0
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CLIMATE ACTION13
CLIMATE ACTION
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LIFE BELOW WATER14
LIFE BELOW WATER
1
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LIFE ON LAND15
LIFE ON LAND
0
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PEACE, JUSTICE AND STRONG INSTITUTIONS16
PEACE, JUSTICE AND STRONG INSTITUTIONS
1
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PARTNERSHIPS FOR THE GOALS17
PARTNERSHIPS FOR THE GOALS
0
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Documents

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Documents

4

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Scholarly Output

5

Articles

4

Views / Downloads

7/0

Supervised MSc Theses

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Supervised PhD Theses

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WoS Citation Count

1

Scopus Citation Count

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Patents

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WoS Citations per Publication

0.20

Scopus Citations per Publication

0.00

Open Access Source

1

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JournalCount
Cihannüma: Tarih ve Coğrafya Araştırmaları Dergisi1
Dısegnarecon1
Journal of Modern Craft1
Mıddle Eastern Studıes1
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Now showing 1 - 5 of 5
  • Thumbnail Image
    Article
    The Blue Funk in the Fish-Tank: a Study on the French Banlieue Riots
    (Univ L Aquila, 2022) Yavuz Velipasaoglu, Didem
    The problems of French suburbs came to the fore in the early 1980s, particularly during what was known as Hot Summer of 1981. This study investigates the social polarization between the poor and the affluent caused spatial segregation in the banlieus of France. Situated about fifteen kilometers east of Paris in the area of Seine Saint-Denis, the housing projects, or habitation a loyer modere (HLM) as they are known in France, of Clichy-sous-Bois and Montfermeil were constructed in the late 1960s and early 1970s mostly in peripheral areas. HLM were considered as an answer for the increasing housing needs after the Second World War, particularly for low-income families, although large numbers of middle- class families lived there in the early post-war period. And in their early years, they improved the living conditions of many families. Today the neighborhoods are mostly inhabited by multicultural minority groups, a mix of low-income, immigrant, North African, and Muslim groups. The multicultural banlieues are isolated and suffer poor infrastructure and poor transportation links to the urban center and neighboring towns. This study focuses on the causes of violence and crime and the relationship of power and powerlessness in an urban context. Gentrification enters in to the picture in the recent years for the banlieues' cases as globalization has pushed renewal projects into city peripheries and old city centers across the world.
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    Article
    Redesigning Hereke Carpets: A Modernization Path Through Patterns and Compositions at Sümerbank in 1960s Turkiye
    (Taylor and Francis Ltd., 2024) Yavuz Velipasaoglu, D.; Nasir, E.B.; Velipasaoglu, Didem Yavuz
    This study examines the mythologization of Anatolian handicrafts created by a group of artists at Sümerbank, a Turkish state enterprise, in the 1960s, which aimed to foster a sense of patriotism (vatan). These designs, emerging with the onset of Turkiye’s multi-party period and the postcolonial context worldwide, provide a framework for exploring local modernism in Turkiye. This study explores how the 1960s were shaped by the prevailing ideology of the time and involved efforts to adopt Western modernist aesthetics, principles of abstraction, and the Bauhaus approach to art and design, in the case of Sümerbank Hereke carpets. © 2025 Elsevier B.V., All rights reserved.
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    Book Part
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    Article
    Citation - WoS: 1
    Weaving an Empire: the Hereke Factory Under the Banner of Ottomanism (1842-1914)
    (Routledge Journals, Taylor & Francis Ltd, 2022) Yavuz Velipasaoglu, Didem
    In the late nineteenth and early twentieth centuries, the style of Ottoman textiles underwent a remarkable shift. This study examines this shift through the case of the Hereke Imperial Factory, a showcase of Ottoman modernism, from the factory’s foundation to the run up to the First World War. In this study, I draw on Ottoman archival records and sources found at the Hereke factory library to show how the style of the textiles produced at the factory was gradually ‘nationalized’ under the reigning political ideology of the day. I also argue that the evolving styles produced by the designers at the Hereke factory were not merely a reflection of the political culture of the era but also, and more significantly, an active factor in shaping that culture. When creating their designs, the designers at Hereke consciously sought to revive the past, and over time, I show, the aspects of the past they embraced for this purpose changed in important ways, gradually shifting from European-style ornamentation to more ‘authentic’ Ottoman styles that were in reality an entirely new synthesis of earlier Eastern designs. That is, designers effectively created a self-consciously ‘Ottoman style’ for the first time, paralleling the efforts of the empire around them to forge a modern imperial identity. I devote particular attention to Tovmas Effendi, an Armenian painter and Hereke’s chief draftsman, to demonstrate how the idea of Ottomanism crystalized in carpet design.
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    Article
    İmparatorluktan Cumhuriyete Çocuk İşçiler: Geçiş Mekanı Olarak Hereke Fabrika Yerleşkesi (1910’lar-1950’ler)
    (2025) Velipasaoglu, Didem Yavuz
    Bu çalışma, Osmanlı İmparatorluğu’nun son yılları ile Türkiye Cumhuriyeti’nin ilk yıllarında Hereke Fabrikası’ndaki çocuk işçiliğinin değişen dinamiklerini incelemektedir. Osmanlı döneminde, fabrikadaki yönetim, işçilerin aileleri için ilk konut projelerini başlatmış ve tek başına çalışanlar ve çoğu yetim olan çocuk işçilerin barınması için lojmanlar inşa etmiştir. Cumhuriyet’in kurulmasının ardından, özellikle fabrikanın Sümerbank’a devrinden sonra, memurlar ve işçiler için konut projeleri devam etmiş, yetim çocuklar da hâlâ fabrikada çalıştırılmaya devam edilmiştir. Çocuk işçiliği ve yetimlerin durumu, işçi sınıfının büyük değişim geçirdiği Türkiye Cumhuriyeti’nin ilk yıllarında önemli bir rol oynamıştır. 1910’lar ile 1950’ler arasındaki bu geçiş dönemi, zorla çalıştırmadan gönüllü istihdama doğru kademeli bir kayma yaşanmış ve bu durum iş gücü dinamiklerini önemli ölçüde etkilemiştir.