Please use this identifier to cite or link to this item:
https://hdl.handle.net/20.500.14365/1673
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Way, Lyndon C. S. | - |
dc.date.accessioned | 2023-06-16T14:19:06Z | - |
dc.date.available | 2023-06-16T14:19:06Z | - |
dc.date.issued | 2013 | - |
dc.identifier.issn | 1035-0330 | - |
dc.identifier.issn | 1470-1219 | - |
dc.identifier.uri | https://doi.org/10.1080/10350330.2013.819723 | - |
dc.identifier.uri | https://hdl.handle.net/20.500.14365/1673 | - |
dc.description.abstract | Turkey and the United States (US) have had a close mutually beneficial political and military relationship since the end of World War Two. However, this relationship came under pressure when the US government and Turkey's ruling Justice and Development Party (AKP) tried to cooperate closely in the 2003 military invasion of Iraq. AKP's leadership failed to persuade Turkey's parliament to accept the deployment of US troops and equipment in Turkey partially due to public opinion. Despite Turkish media and its government being intertwined to the extent where subversive discourses are all but silenced, some popular music videos were able to articulate discourses which questioned AKP's military policies. This paper analyses lyrics, visuals and sounds of one of these songs to look at the way war and political issues become articulated through a form of simplified popular politics, despite being presented as serious and authentic by a number of key signifiers across the different modes. A number of scholars have addressed the issue of subversion in music both as actual political challenge and as popular counter culture. This case study is used to assess subversion in music in these terms in order to consider its likely place in political debate in Turkey. | en_US |
dc.language.iso | en | en_US |
dc.publisher | Routledge Journals, Taylor & Francis Ltd | en_US |
dc.relation.ispartof | Socıal Semıotıcs | en_US |
dc.rights | info:eu-repo/semantics/closedAccess | en_US |
dc.subject | popular music | en_US |
dc.subject | video | en_US |
dc.subject | politics | en_US |
dc.subject | Turkey | en_US |
dc.subject | subversion | en_US |
dc.subject | multi-modal analysis | en_US |
dc.subject | authenticity | en_US |
dc.title | Discourses of popular politics, war and authenticity in Turkish pop music | en_US |
dc.type | Article | en_US |
dc.identifier.doi | 10.1080/10350330.2013.819723 | - |
dc.identifier.scopus | 2-s2.0-84887997579 | en_US |
dc.department | İzmir Ekonomi Üniversitesi | en_US |
dc.authorscopusid | 39062373000 | - |
dc.identifier.volume | 23 | en_US |
dc.identifier.issue | 5 | en_US |
dc.identifier.startpage | 715 | en_US |
dc.identifier.endpage | 734 | en_US |
dc.identifier.wos | WOS:000330403000008 | en_US |
dc.relation.publicationcategory | Makale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı | en_US |
dc.identifier.scopusquality | Q1 | - |
dc.identifier.wosquality | Q2 | - |
item.grantfulltext | reserved | - |
item.openairetype | Article | - |
item.openairecristype | http://purl.org/coar/resource_type/c_18cf | - |
item.fulltext | With Fulltext | - |
item.languageiso639-1 | en | - |
item.cerifentitytype | Publications | - |
crisitem.author.dept | 04.02. New Media and Communication | - |
Appears in Collections: | Scopus İndeksli Yayınlar Koleksiyonu / Scopus Indexed Publications Collection WoS İndeksli Yayınlar Koleksiyonu / WoS Indexed Publications Collection |
Files in This Item:
File | Size | Format | |
---|---|---|---|
1673.pdf Restricted Access | 524.37 kB | Adobe PDF | View/Open Request a copy |
CORE Recommender
SCOPUSTM
Citations
10
checked on Nov 20, 2024
WEB OF SCIENCETM
Citations
8
checked on Nov 20, 2024
Page view(s)
56
checked on Nov 18, 2024
Download(s)
4
checked on Nov 18, 2024
Google ScholarTM
Check
Altmetric
Items in GCRIS Repository are protected by copyright, with all rights reserved, unless otherwise indicated.