Please use this identifier to cite or link to this item: https://hdl.handle.net/20.500.14365/3267
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dc.contributor.authorWay, Lyndon C. S.-
dc.date.accessioned2023-06-16T14:56:49Z-
dc.date.available2023-06-16T14:56:49Z-
dc.date.issued2017-
dc.identifier.isbn978-1-4742-6444-0-
dc.identifier.isbn978-1-4742-6442-6-
dc.identifier.urihttps://hdl.handle.net/20.500.14365/3267-
dc.description.abstract[Abstract Not Available]en_US
dc.language.isoenen_US
dc.publisherBloomsbury Publ Incen_US
dc.relation.ispartofMusıc As Multımodal Dıscourse: Semıotıcs, Power And Protesten_US
dc.rightsinfo:eu-repo/semantics/closedAccessen_US
dc.titleAuthenticity and Subversion: Articulations in Protest Music Videos' Struggle with Countercultural Politics and Authenticityen_US
dc.typeBook Parten_US
dc.departmentİzmir Ekonomi Üniversitesien_US
dc.identifier.startpage95en_US
dc.identifier.endpage117en_US
dc.identifier.wosWOS:000402262300006en_US
dc.relation.publicationcategoryKitap Bölümü - Uluslararasıen_US
dc.identifier.scopusqualityN/A-
dc.identifier.wosqualityN/A-
item.grantfulltextreserved-
item.openairetypeBook Part-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.fulltextWith Fulltext-
item.languageiso639-1en-
item.cerifentitytypePublications-
crisitem.author.dept04.02. New Media and Communication-
Appears in Collections:WoS İndeksli Yayınlar Koleksiyonu / WoS Indexed Publications Collection
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