| Issue Date | Title | Author(s) |
| 2013 | Ahistorical Avant-Gardism and the Theater | Cardullo, Robert J. |
| 2012 | Appearance and Essence in Georg Kaiser's From Morn To Midnight | Cardullo, Robert J. |
| 2011 | Art-House Cinema, Avant-Garde Film, and Dramatic Modernism | Cardullo, Robert |
| 2011 | Attention, Attention Must Finally Be Unpaid: Death of a Salesman and the Reputation of Arthur Miller | Cardullo, Bert |
| 2012 | August Strindberg, Ingmar Bergman and the Ghost Sonata | Cardullo, Robert |
| 2013 | The Avant-Garde and the Unamerican: Experimental Theatre and Drama From Europe To the United States After World War Ii | Cardullo, Robert |
| 2012 | Bernard Shaw, the Philanderer, and the (un)making of Shavian Drama | Cardullo, Robert J. |
| 2011 | Bertolt Brecht: the Naturalist, the Theatricalist, and the Dramatist-As [2011] | Cardullo, Robert J. |
| 2013 | Bertolt Brecht: the Naturalist, the Theatricalist, and the Dramatist-As [2013] | Cardullo, Robert J. |
| 2024 | Borrowed Soundtracks: Adopting the Global History Approach To the Study of Connectedness in Film History | Savk, Serkan |
| 2013 | Cinema as 'social Documentary': the Film Theory of Andre Bazin, Revisited (vol 13, Pg 33, 2013) | Cardullo, Robert J. |
| 2010 | The Cinema of Resistance: an Interview With Jean-Pierre and Luc Dardenne | Cardullo, Bert |
| 2009 | The Cinema of Resistance: an Interview With Jeanpierre and Luc Dardenne | Cardullo, Bert |
| 2011 | A Cinema of Social Conscience: an Interview With Ken Loach | Cardullo, Robert |
| 2018 | Cinema-Going During the Gezi Protests: Claiming the Right To the Emek Movie Theatre and Gezi Park | Ozduzen, Ozge |
| 2020 | Club Med Foça: the Transformation of Leisure Culture in Turkey | Şavk, Serkan ; Özgün, Aras |
| 2011 | Day of Wrath, the Spirit of Tragedy, and the Judgment of the Creator | Cardullo, Robert |
| 2011 | Death Wish, Child's Whim, Auteurist Will: Boyer and Clement's Forbidden Games Replayed | Cardullo, Robert J. |
| 2012 | The Delay of Polonius in Shakespeare's Hamlet | Cardullo, Robert |
| 2012 | The Delay of Polonius in Shakespeare's Hamlet [pp. 487-495] | Cardullo, Robert J. |
| 2008 | The Difficult B. B. : a Rethinking | Cardullo, Robert |
| 2017 | The Digital Humanities and Islamic & Middle East Studies | Savk, Serkan |
| 2020 | Disenchantment With Market Society: Alternative Life Experiences | Ati̇k, Deniz ; Firat, A. Fuat; Ozgun, Aras ; Uzunoglu, Ebru |
| 2020 | Dişil Ütopya, Eril Distopya: Anna Biller’in The Love Witch (2016) Filmi | Özkan, Derya |
| 2010 | Divining the Real: the Film Theory and Criticism of Andre Bazin | Cardullo, Robert |
| 2018 | DİJİTAL YÖNTEM ve ARAÇLAR TÜRKİYE SİNEMA TARİHİ ÇALIŞMALARI AÇISINDAN NE VAAT EDİYOR? | Şavk, Serkan |
| 2022 | Doors, Privacy and the Public Sphere: a Conceptual Discussion on the Spatial Structure of Early Modern Istanbul | Savk, Serkan |
| 2020 | Eski Görüntüler, Yeni Görüngüler: Yeşilçam Filmlerinin Üslup Özellikleri İçin Uzak Okuma Denemesi | Şavk, Serkan |
| 2012 | Eugene O'neill the Hairy Ape in Relation To Greek Tragedy, Italian Futurism, and Divine Comedy | Cardullo, Robert J. |
| 2015 | Experimental Theatre in the Twentieth Century: Avant-Gardism, the Absurd, and the Postmodern | Cardullo, Robert |
| 2010 | Farce, Dreams, and Desire: Some Like It Hot | Cardullo, Robert |
| 2010 | Farce, Dreams, and Desire: Some Like It Hot Re-Viewed | Cardullo, Bert |
| 2012 | Fiction Into Film: Bresson's Une Femme Douce and Its Russian Source | Cardullo, Bert |
| 2008 | Film as the Characterization of Space: Notes, Mostly on L'avventura and La Notte | Cardullo, Robert |
| 2024 | Film Heritage: the Online Film Archive Portal of Turkish Ministry of Culture and Tourism, General Directorate of Cinema | Savk, Serkan |
| 2008 | Film in Review | Cardullo, Robert |
| 2010 | Film in Review | Cardullo, Robert |
| 2009 | Film in Review Dostoyevskyan Surges, Bressonian Spirits | Cardullo, Robert |
| 2011 | The First Production of Thomas Heywood's a Woman Killed With Kindness | Cardullo, Robert |
| 2023 | The Growth of the Turkish Film Industry and the Death of Suphi Kaner: Articulating a Star's Suicide To the History of Labour in Cinema | Savk, Serkan |
| 2011 | I Call My Films Subversive: a Conversation With Mike Leigh | Cardullo, Robert |
| 2009 | Images in a Vast World Homage To Stark Young (1881-1963) | Cardullo, Bert |
| 2023 | İki Platform Dizisinde Sinema Tarihi Tasvirleri ve Yeşilçam’ı Tekrar Ziyaret Etmek | Şavk, Serkan |
| 2012 | Jean Renoir, the Rules of the Game, Reputation, and Revisionism | Cardullo, Robert J. |
| 2010 | Liebestod, Romanticism, and Poetry in the Glass Menagerie | Cardullo, Robert |
| 2008 | Look Back in Bemusement: the New American Cinema, 1965-1970 | Cardullo, Robert |
| 2013 | The Lyric, The Feminine, and The Ideal: Williams's The Glass Menagerie Revisited | Cardullo, Robert |
| 2010 | Making People Think Is What It's All About: an Interview With Mike Leigh | Cardullo, Robert ; Leigh, Mike |
| 2021 | Mapping Yesilcam: a Relational Approach To the Turkish Film Industry | Savk, Serkan ; Dogu, Burak |
| 2017 | Marketization and Foucault | Ozgun, Aras ; Dholakia, Nikhilesh; Ati̇k, Deniz |
| 2009 | Married To the Job: Ermanno Olmi's Il Posto and I Fidanzati Reconsidered | Cardullo, Robert |
| 2023 | The Miasma of Misinformation: a Social Analysis of Media, Markets, and Manipulation | Dholakia, Nikhilesh; Ozgun, Aras ; Ati̇k, Deniz |
| 2009 | Moliere's Tartuffe | Cardullo, Robert |
| 2010 | More From Less: the Movie Aesthetic of Michelangelo Antonioni | Cardullo, Bert |
| 2010 | The Movies in My Mind | Cardullo, Robert |
| 2009 | Names and Titles in Amiri Baraka's Dutchman | Cardullo, Robert |
| 2010 | O'neill the Hairy Ape | Cardullo, Robert |
| 2021 | On Streaming-Media Platforms, Their Audiences, and Public Life | Ozgun, Aras ; Treske, Andreas |
| 2011 | On the Road To Tragedy: George Milton's Agon in of Mice and Men | Cardullo, Robert |
| 2009 | Out of Asia: Or, How We Shot the War | Cardullo, Robert |
| 2009 | "outing" Edward, Outfitting Marlowe: Derek Jarman's Film of Edward Ii | Cardullo, Robert |
| 2012 | Period piece, peace picture: La Grande Illusion reconsidered | Cardullo, Robert |
| 2011 | Person of the Drama Stanley Kauffmann as Theater Critic | Cardullo, Bert |
| 2011 | The Pillar of Ibsenian Drama: Henrik Ibsen and Pillars of Society, Reconsidered | Cardullo, Robert |
| 2011 | The Pillar of Ibsenian Drama: Henrik Ibsen and Pillars of Society, Reconsidered [pp. 359-371] | Cardullo, Robert J. |
| 2014 | The Pious Peacockery of Johnny Boyle in Sean O'casey Juno and the Paycock | Cardullo, Robert |
| 2011 | Play Doctor, Doctor Death: Shaw, Ibsen, and Modern Tragedy | Cardullo, Robert |
| 2009 | Playwright, Director, Scenarist, and Cineaste an Interview With Ingmar Bergman | Cardullo, Bert |
| 2023 | Post-Pandemic Futures: Balancing Technological Optimism With Sociocultural Fairness | Ati̇k, Deniz ; Dholakia, Nikhilesh; Özgün, Aras |
| 2014 | Postwar Italian Drama and the Theater of Carlo Terron | Cardullo, Robert J. |
| 2022 | Powerful Women, Postfeminism, and Fantasies of Patriarchal Recuperation in Magnificent Century | Zorlu, Deniz |
| 2012 | Pride and Prejudice, or Class and Character: Room at the Top Revisited | Cardullo, Robert J. |
| 2011 | Re-Reading the Rules: Renoir's La Regle Du Jeu Reconsidered | Cardullo, Robert |
| 2011 | Richard Gilman, American Theater Critic an Appreciation | Cardullo, Robert |
| 2017 | Sessiz Dönem Türk Sinema Tarihi | Şavk, Serkan |
| 2010 | Shaw, the Philanderer, and the (un)making of Shavian Drama | Cardullo, Robert |
| 2013 | The Sound of Silence, the Space of Time: Monsieur Hulot, Comedy, and the Aural-Visual Cinema of Jacques Tati (an Essay and an Interview) | Cardullo, Robert ; Tati, Jacques |
| 2021 | Streaming Media Platforms: Social Implications of the Transformation of Audience Activity | Ozgun, Aras ; Treske, Andreas |
| 2021 | Süreğen Medyaplatformları:izleyici Etkinliğinin Dönüşümü Vetoplumsal Etkileri | Özgün, Aras ; Treske, Andreas |
| 2010 | Theater and Film, or Adolphe Appia and Me: a Discussion With Hans-Jurgen Syberberg | Cardullo, Robert ; Syberberg, Hans-Juergen |
| 2011 | Theatrical Melodrama, Dramatic Film, and the Rise of American Cinema: the Case of Griffith's Way Down East | Cardullo, Robert |
| 2010 | Through the Looking Glass: the American Art Cinema in an Age of Social Change | Cardullo, Bert |
| 2020 | Towards an Ethos for Commoning the City Introduction | Ozkan, Derya ; Buyuksarac, Guldem Baykal |
| 2022 | Transnational Dynamics of Turkish Film Festivals in Germany and the United States | Aydın, Tuncer Mert |
| 2021 | The Unwitting Corruption of Broadening of Marketing Into Neoliberalism: a Beast Unleashed? | Dholakia, Nikhilesh; Ozgun, Aras ; Ati̇k, Deniz |
| 2015 | The Value of Art and the Political Economy of Cool | Ozgun, Aras |
| 2011 | Whose Life Is It, Anyway? Shaw, the Doctor's Dilemma and Modern Tragedy | Cardullo, Robert |
| 2011 | Why We Fight, or Men, War, the Movies, and Metaphor | Cardullo, Bert |
| 2021 | Women in the Cinemas of Iran and Turkey: as Images and as Image Makers | Savk, Serkan |
