| Issue Date | Title | Author(s) |
| 2013 | Ahistorical Avant-Gardism and the Theater | Cardullo, Robert J. |
| 2012 | Appearance and Essence in Georg Kaiser's FROM MORN TO MIDNIGHT | Cardullo, Robert J. |
| 2011 | Art-House Cinema, Avant-Garde Film, and Dramatic Modernism | Cardullo, Robert |
| 2011 | Attention, Attention Must Finally Be Unpaid: Death of a Salesman and the Reputation of Arthur Miller | Cardullo, Bert |
| 2012 | August Strindberg, Ingmar Bergman and The Ghost Sonata | Cardullo, Robert |
| 2013 | The avant-garde and the unAmerican: Experimental theatre and drama from Europe to the United States after World War II | Cardullo, Robert |
| 2012 | Bernard Shaw, The Philanderer, and the (Un)Making of Shavian Drama | Cardullo, Robert J. |
| 2011 | Bertolt Brecht: The Naturalist, the Theatricalist, and the Dramatist-as-Director [2011] | Cardullo, Robert J. |
| 2013 | Bertolt Brecht: the naturalist, the theatricalist, and the dramatist-as-director [2013] | Cardullo, Robert J. |
| 2024 | Borrowed soundtracks: adopting the global history approach to the study of connectedness in film history | Savk, Serkan |
| 2013 | Cinema as 'social documentary': The film theory of Andre Bazin, revisited (vol 13, pg 33, 2013) | Cardullo, Robert J. |
| 2010 | The cinema of resistance: An interview with Jean-Pierre and Luc Dardenne | Cardullo, Bert |
| 2009 | The cinema of resistance: an interview with JeanPierre and Luc Dardenne | Cardullo, Bert |
| 2011 | A Cinema of Social Conscience: An Interview with Ken Loach | Cardullo, Robert |
| 2018 | Cinema-going during the Gezi protests: claiming the right to the Emek movie theatre and Gezi Park | Ozduzen, Ozge |
| 2020 | Club Med Foça: The Transformation of Leisure Culture in Turkey | Şavk, Serkan ; Özgün, Aras |
| 2011 | Day of Wrath, the Spirit of Tragedy, and the Judgment of the Creator | Cardullo, Robert |
| 2011 | Death Wish, Child's Whim, Auteurist Will: Boyer and Clement's Forbidden Games Replayed | Cardullo, Robert J. |
| 2012 | The Delay of Polonius in Shakespeare's Hamlet | Cardullo, Robert |
| 2012 | The Delay of Polonius in Shakespeare's Hamlet [pp. 487-495] | Cardullo, Robert J. |
| 2008 | THE DIFFICULT B. B. : A RETHINKING | Cardullo, Robert |
| 2017 | The Digital Humanities and Islamic & Middle East Studies | Savk, Serkan |
| 2020 | Disenchantment with market society: Alternative life experiences | Ati̇k, Deniz ; Firat, A. Fuat; Ozgun, Aras ; Uzunoglu, Ebru |
| 2020 | Dişil Ütopya, Eril Distopya: Anna Biller’in The Love Witch (2016) Filmi | Özkan, Derya |
| 2010 | Divining the Real: The Film Theory and Criticism of Andre Bazin | Cardullo, Robert |
| 2018 | DİJİTAL YÖNTEM ve ARAÇLAR TÜRKİYE SİNEMA TARİHİ ÇALIŞMALARI AÇISINDAN NE VAAT EDİYOR? | Şavk, Serkan |
| 2022 | Doors, privacy and the public sphere: a conceptual discussion on the spatial structure of early modern Istanbul | Savk, Serkan |
| 2020 | Eski Görüntüler, Yeni Görüngüler: Yeşilçam Filmlerinin Üslup Özellikleri İçin Uzak Okuma Denemesi | Şavk, Serkan |
| 2012 | Eugene O'Neill's The Hairy Ape in Relation to Greek Tragedy, Italian Futurism, and Divine Comedy | Cardullo, Robert J. |
| 2015 | Experimental theatre in the twentieth century: avant-gardism, the absurd, and the postmodern | Cardullo, Robert |
| 2010 | FARCE, DREAMS, AND DESIRE: SOME LIKE IT HOT | Cardullo, Robert |
| 2010 | Farce, Dreams, and Desire: Some Like It Hot Re-viewed | Cardullo, Bert |
| 2012 | FICTION INTO FILM: BRESSON'S UNE FEMME DOUCE AND ITS RUSSIAN SOURCE | Cardullo, Bert |
| 2008 | Film as the characterization of space: Notes, mostly on L'avventura and La notte | Cardullo, Robert |
| 2024 | Film Heritage: the online film archive portal of Turkish Ministry of Culture and Tourism, General Directorate of Cinema | Savk, Serkan |
| 2008 | FILM IN REVIEW | Cardullo, Robert |
| 2010 | FILM IN REVIEW | Cardullo, Robert |
| 2009 | FILM IN REVIEW DOSTOYEVSKYAN SURGES, BRESSONIAN SPIRITS | Cardullo, Robert |
| 2011 | The First Production of Thomas Heywood's A Woman Killed with Kindness | Cardullo, Robert |
| 2023 | The Growth of the Turkish Film Industry and the Death of Suphi Kaner: Articulating a Star's Suicide to the History of Labour in Cinema | Savk, Serkan |
| 2011 | I Call My Films Subversive: A Conversation with Mike Leigh | Cardullo, Robert |
| 2009 | IMAGES IN A VAST WORLD HOMAGE TO STARK YOUNG (1881-1963) | Cardullo, Bert |
| 2023 | İki Platform Dizisinde Sinema Tarihi Tasvirleri ve Yeşilçam’ı Tekrar Ziyaret Etmek | Şavk, Serkan |
| 2012 | Jean Renoir, The Rules of the Game, Reputation, and Revisionism | Cardullo, Robert J. |
| 2010 | Liebestod, Romanticism, and Poetry in The Glass Menagerie | Cardullo, Robert |
| 2008 | Look Back in Bemusement: The New American Cinema, 1965-1970 | Cardullo, Robert |
| 2013 | THE LYRIC, THE FEMININE, AND THE IDEAL: WILLIAMS'S THE GLASS MENAGERIE REVISITED | Cardullo, Robert |
| 2010 | Making People Think Is What It's All About: An Interview with Mike Leigh | Cardullo, Robert ; Leigh, Mike |
| 2021 | Mapping Yesilcam: A relational approach to the Turkish film industry | Savk, Serkan ; Dogu, Burak |
| 2017 | Marketization and Foucault | Ozgun, Aras ; Dholakia, Nikhilesh; Ati̇k, Deniz |
| 2009 | Married to the Job: Ermanno Olmi's Il posto and I fidanzati Reconsidered | Cardullo, Robert |
| 2023 | The miasma of misinformation: a social analysis of media, markets, and manipulation | Dholakia, Nikhilesh; Ozgun, Aras ; Ati̇k, Deniz |
| 2009 | Moliere's TARTUFFE | Cardullo, Robert |
| 2010 | More from Less: The Movie Aesthetic of Michelangelo Antonioni | Cardullo, Bert |
| 2010 | The movies in my mind | Cardullo, Robert |
| 2009 | Names and Titles in Amiri Baraka's Dutchman | Cardullo, Robert |
| 2010 | O'Neill's THE HAIRY APE | Cardullo, Robert |
| 2021 | On Streaming-Media Platforms, Their Audiences, and Public Life | Ozgun, Aras ; Treske, Andreas |
| 2011 | On the road to tragedy: George Milton's agon in Of Mice and Men | Cardullo, Robert |
| 2009 | OUT OF ASIA: OR, HOW WE SHOT THE WAR | Cardullo, Robert |
| 2009 | "Outing" Edward, outfitting Marlowe: Derek Jarman's film of Edward II | Cardullo, Robert |
| 2012 | Period piece, peace picture: La Grande Illusion reconsidered | Cardullo, Robert |
| 2011 | PERSON OF THE DRAMA STANLEY KAUFFMANN AS THEATER CRITIC | Cardullo, Bert |
| 2011 | The Pillar of Ibsenian Drama: Henrik Ibsen and Pillars of Society, Reconsidered | Cardullo, Robert |
| 2011 | The Pillar of Ibsenian Drama: Henrik Ibsen and Pillars of Society, Reconsidered [pp. 359-371] | Cardullo, Robert J. |
| 2014 | The Pious Peacockery of Johnny Boyle in Sean O'Casey's JUNO AND THE PAYCOCK | Cardullo, Robert |
| 2011 | Play doctor, doctor death: Shaw, Ibsen, and modern tragedy | Cardullo, Robert |
| 2009 | Playwright, Director, Scenarist, and Cineaste An Interview with Ingmar Bergman | Cardullo, Bert |
| 2023 | Post-Pandemic Futures: Balancing Technological Optimism with Sociocultural Fairness | Ati̇k, Deniz ; Dholakia, Nikhilesh; Özgün, Aras |
| 2014 | Postwar Italian drama and the theater of Carlo Terron | Cardullo, Robert J. |
| 2022 | Powerful women, postfeminism, and fantasies of patriarchal recuperation in Magnificent Century | Zorlu, Deniz |
| 2012 | Pride and prejudice, or class and character: Room at the Top revisited | Cardullo, Robert J. |
| 2011 | Re-reading the Rules: Renoir's La Regle du jeu Reconsidered | Cardullo, Robert |
| 2011 | RICHARD GILMAN, AMERICAN THEATER CRITIC AN APPRECIATION | Cardullo, Robert |
| 2017 | SESSİZ DÖNEM TÜRK SİNEMA TARİHİ | Şavk, Serkan |
| 2010 | Shaw, The Philanderer, and the (Un)Making of Shavian Drama | Cardullo, Robert |
| 2013 | The Sound of Silence, the Space of Time: Monsieur Hulot, Comedy, and the Aural-Visual Cinema of Jacques Tati (An Essay and an Interview) | Cardullo, Robert ; Tati, Jacques |
| 2021 | Streaming Media Platforms: Social Implications of the Transformation of Audience Activity | Ozgun, Aras ; Treske, Andreas |
| 2021 | Süreğen MedyaPlatformları:İzleyici Etkinliğinin Dönüşümü veToplumsal Etkileri | Özgün, Aras ; Treske, Andreas |
| 2010 | Theater and Film, or Adolphe Appia and Me: A Discussion with Hans-Jurgen Syberberg | Cardullo, Robert ; Syberberg, Hans-Juergen |
| 2011 | Theatrical melodrama, dramatic film, and the rise of American cinema: The case of Griffith's Way Down East | Cardullo, Robert |
| 2010 | Through the Looking Glass: The American Art Cinema in an Age of Social Change | Cardullo, Bert |
| 2020 | Towards an ethos for commoning the city Introduction | Ozkan, Derya ; Buyuksarac, Guldem Baykal |
| 2022 | Transnational dynamics of turkish film festivals in Germany and The United States | Aydın, Tuncer Mert |
| 2021 | The unwitting corruption of broadening of marketing into neoliberalism: a beast unleashed? | Dholakia, Nikhilesh; Ozgun, Aras ; Ati̇k, Deniz |
| 2015 | The Value of Art and the Political Economy of Cool | Ozgun, Aras |
| 2011 | WHOSE LIFE IS IT, ANYWAY? SHAW, THE DOCTOR'S DILEMMA AND MODERN TRAGEDY | Cardullo, Robert |
| 2011 | Why We Fight, or Men, War, the Movies, and Metaphor | Cardullo, Bert |
| 2021 | Women in the Cinemas of Iran and Turkey: As Images and as Image Makers | Savk, Serkan |
