Şavk, Serkan

Profile Picture
Profile URL
https://hdl.handle.net/20.500.14365/6816
Name Variants
Savk, Serkan
Job Title
Email Address
serkan.savk@ieu.edu.tr
Main Affiliation
04.01. Cinema and Digital Media
Status
Current Staff
Website
ORCID ID
0000-0002-3926-8384
Scopus Author ID
58576056200
Turkish CoHE Profile ID
39F8EA719AB9A5C4
Google Scholar ID
nCyekXoAAAAJ
WoS Researcher ID
HJY-8199-2023
Files
SerkanSavk.jpg (12.02 KB)

Sustainable Development Goals

NO POVERTY1
NO POVERTY
2
Research Products
ZERO HUNGER2
ZERO HUNGER
0
Research Products
GOOD HEALTH AND WELL-BEING3
GOOD HEALTH AND WELL-BEING
1
Research Products
QUALITY EDUCATION4
QUALITY EDUCATION
2
Research Products
GENDER EQUALITY5
GENDER EQUALITY
2
Research Products
CLEAN WATER AND SANITATION6
CLEAN WATER AND SANITATION
0
Research Products
AFFORDABLE AND CLEAN ENERGY7
AFFORDABLE AND CLEAN ENERGY
0
Research Products
DECENT WORK AND ECONOMIC GROWTH8
DECENT WORK AND ECONOMIC GROWTH
2
Research Products
INDUSTRY, INNOVATION AND INFRASTRUCTURE9
INDUSTRY, INNOVATION AND INFRASTRUCTURE
4
Research Products
REDUCED INEQUALITIES10
REDUCED INEQUALITIES
1
Research Products
SUSTAINABLE CITIES AND COMMUNITIES11
SUSTAINABLE CITIES AND COMMUNITIES
0
Research Products
RESPONSIBLE CONSUMPTION AND PRODUCTION12
RESPONSIBLE CONSUMPTION AND PRODUCTION
0
Research Products
CLIMATE ACTION13
CLIMATE ACTION
0
Research Products
LIFE BELOW WATER14
LIFE BELOW WATER
0
Research Products
LIFE ON LAND15
LIFE ON LAND
0
Research Products
PEACE, JUSTICE AND STRONG INSTITUTIONS16
PEACE, JUSTICE AND STRONG INSTITUTIONS
1
Research Products
PARTNERSHIPS FOR THE GOALS17
PARTNERSHIPS FOR THE GOALS
0
Research Products
Documents

7

Citations

7

h-index

1

Go to Scopus profile
Documents

9

Citations

9

Go to WoS profile
Scholarly Output

20

Articles

14

Views / Downloads

39/82

Supervised MSc Theses

1

Supervised PhD Theses

0

WoS Citation Count

9

Scopus Citation Count

7

Patents

0

Projects

6

WoS Citations per Publication

0.45

Scopus Citations per Publication

0.35

Open Access Source

15

Supervised Theses

1

JournalCount
sinecine: Sinema Araştırmaları Dergisi2
Kültür ve İletişim2
Journal of Cinema and Media Studies2
Continuum-Journal of Media & Cultural Studies1
Erciyes İletişim Dergisi1
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Scopus Quartile Distribution

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Scholarly Output Search Results

Now showing 1 - 10 of 19
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    Article
    Eski Görüntüler, Yeni Görüngüler: Yeşilçam Filmlerinin Üslup Özellikleri İçin Uzak Okuma Denemesi
    (2020) Şavk, Serkan
    Bu araştırmada, Yeşilçam filmlerinin, YouTube üzerinden yığınsal biçimde uzaktan erişime açılması olarak tarif edebileceğimiz güncel gelişmeden hareket edilmektedir. Bu çalışmanın ilk amacı, Dijital İnsan Bilimleri ve film üslubunun istatistiksel analizi alanlarına ait yöntem ve araçları kullanarak Yeşilçam filmlerinin üslup özelliklerini uzak okuma yaklaşımıyla incelemektir. Çalışmanın ikinci amacı ise 1960’lı ve 70’li yıllar boyunca filmlerin biçim ve üslup özelliklerindeki dönüşümü sinema endüstrisinin tarihsel gelişimiyle ilişkilendirmektir. Böylece, kaynak yığınlarından karmaşık veri setleri üretilmesine dayanan analiz biçiminin Türk sinema tarihi açısından potansiyeli ortaya konulabilmektedir. Araştırmada, bir grup filmin metrik ölçümlemesi yapılmış ve ortaya çıkan veri seti, Yeşilçam’ın biçimsel dönüşümünü anlamak için kullanılmıştır. Makalenin ana araştırma sorusu, ortalama çekim uzunluğuna (OÇU) ve buna bağlı diğer verilere bakarak, 1960’tan 1979’a uzanan süreçte Yeşilçam filmlerinin üslup özelliklerinin açıklanabilir olduğunu göstermektir. Sonuç olarak, incelenen dönemde filmlerin üslup özelliklerinin zaman içerisinde hem dönüşüm hem de süreklilik gösterdiği ortaya konmuştur.
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    Article
    Citation - WoS: 2
    Citation - Scopus: 1
    Doors, Privacy and the Public Sphere: a Conceptual Discussion on the Spatial Structure of Early Modern Istanbul
    (Cambridge Univ Press, 2022) Savk, Serkan
    The aim of this article is to offer a new conceptual framework for the study of various spaces in Istanbul during the seventeenth and the eighteenth centuries. I contend that rather than the sharp distinction manifested with the public-private dichotomy, we need to focus on gradations of privacy. I offer qapu and bab as two new concepts borrowed from the period's own repertoire for representing the macro and micro ends of the spatial gradation. Theoretically, I draw on George Simmel's definition of doors as the interfaces of spatial formation.
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    Other
    DİJİTAL YÖNTEM ve ARAÇLAR TÜRKİYE SİNEMA TARİHİ ÇALIŞMALARI AÇISINDAN NE VAAT EDİYOR?
    (2018) Şavk, Serkan
    Bu makalede, Dijital Beşerî Bilimler olarak bilinen araç, yöntem ve yaklaşımlarbütününün, Türkiye sinema tarihi çalışmaları açısından taşıdığı potansiyeli vurgulayacağım.Dijital Beşerî Bilimlere kısa bir giriş yaptıktan sonra, örnek projelerdenbahisle bugüne kadar neler yapıldığını ortaya koyacağım. Daha sonra,Yeşilçam endüstrisinin ürünü olan ve bugün çevrimiçi video paylaşım platformlarındanerişilebilen film yığınından, yeni araştırma soruları sormak için nasılyararlanılabileceğini, bu çerçevede dijital araç ve yöntemlerin ne tür olanaklarsunduğunu göstermeye çalışacağım.
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    Article
    Citation - WoS: 1
    Citation - Scopus: 1
    Borrowed Soundtracks: Adopting the Global History Approach To the Study of Connectedness in Film History
    (Routledge journals, taylor & francis ltd, 2024) Savk, Serkan
    In this article, my goal is to reveal the importance and potential of global history, an approach that is generally neglected in media and film history literature. The main characteristics of global history are de-centralizing history, taking a wide spatial and temporal perspective, avoiding Eurocentric and nationalist optics, and explaining patterns of causalities behind connections. I begin by explaining global history before presenting the differences between global history and similar approaches used in film and media studies literature. Then, I focus on a potential case study, the phenomenon of foreign music used as soundtracks in Turkish domestic films between the 1950s and the 1980s. I demonstrate how the 'borrowed soundtracks' creates a hitherto unstudied connectedness between disconnected audiences from different countries or societies. I consider the soundscapes of the films as a space of aural encounter, and I argue that global history would enable us to understand the emotional, cultural, and economic layers of this indirect connectedness.
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    Article
    Sessiz Dönem Türk Sinema Tarihi
    (2017) Şavk, Serkan
    Ali Özuyar'ın Sessiz Dönem Türk Sinema Tarihi (1895-1922), bugüne kadar Osmanlı İmparatorluğu'nda erken sinema tarihi hakkında yayınlanan en kapsamlı monografidir. Bu eleştiri yazısında, kitabın içeriğini kısaca tanıtıp literatürdeki önemine işaret ettikten sonra bazı eleştirel fikirler ifade edeceğim.
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    Article
    Citation - WoS: 6
    Citation - Scopus: 5
    Mapping Yeşilçam: a Relational Approach To the Turkish Film Industry
    (University Library System, University of Pittsburgh, 2021) Savk, S.; Dogu, B.
    Turkey’s Yeşilçam film industry produced more than 5500 films during its 40-year lifetime. The industry had a unique narrative approach, shaped around its economic model, Turkey’s ambivalent connection with modernization and the country’s domestic culture. Yet, particular characteristic qualities of the industry remained rather limited until the last decade, in which vast databases emerged as a consequence of the digital turn. In this study, we develop a relational approach and conduct network analysis, with the aim to better understand the patterns of Yeşilçam’s constitution. Our findings suggest that, rather than a homogenous industry, as often considered by film scholarship, Yeşilçam was divided into two main clusters with significantly different professional, narrative and financial dynamics. © 2021, University Library System, University of Pittsburgh. All rights reserved.
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    Article
    Set-Going Chronicles: Rethinking Turkish Cinema Through the Lens of New Cinema History
    (Michigan Publishing, 2025) Savk, Serkan; Cam, Aydin; Sanlier, Ilke
    In this article, we propose set-going as a novel concept for studying the experience of visiting filming locations to watch the making of a film. This experience creates a field of interaction between movie enthusiasts and movie professionals. We argue that set-going should be considered as a new trajectory for studying the cultural and social history of cinema. Theoretically, we benefit from the New Cinema History paradigm. Departing from a case study of the Ye & scedil;il & ccedil;am era of Turkish cinema (1950s-1980s), we discuss the practice of set-going as embracing a wide range of social and cultural contexts surrounding the production process.
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    Book Part
    How Social Media Platforms Replace Film Archives When There Are No Archives
    (Routledge, 2025) Savk, Serkan
    In the frst part of the chapter, I will share some notes regarding the history, narrative structure and production mode of the Yesilcam industry, which prevailed between the late 1940s and the 1980s, for the sake of providing some background information. Then, I will focus on the online release of Yesilcam flms on YouTube to reveal the dynamics of this recent development which radically changed the access conditions to these flms. Finally, I will explore the problematic aspects of accessing Yesilcam flms through YouTube, demonstrating the legal and commercial uncertainty surrounding the online presence of these flms. I will conclude by discussing how the flms on YouTube can sustain the life and legacy of Yesilcam in different ways.
  • Thumbnail Image
    Book Review
    Women in the Cinemas of Iran and Turkey: as Images and as Image Makers
    (Film Criticism, 2021) Savk, Serkan
    [Abstract Not Available]
  • Thumbnail Image
    Article
    Set-Going Chronicles: Rethinking Turkish Cinema through the Lens of New Cinema History
    (Michigan Publishing, 2025) Şavk, Serkan; Çam, Aydin; Şanlıer, İlke