Authenticity and Subversion: Articulations in Protest Music Videos’ Struggle With Countercultural Politics and Authenticity
| dc.contributor.author | Way, L.C.S. | |
| dc.date.accessioned | 2023-06-16T14:56:49Z | |
| dc.date.available | 2023-06-16T14:56:49Z | |
| dc.date.issued | 2017 | |
| dc.identifier.isbn | 9781474264440 | |
| dc.identifier.isbn | 9781474264426 | |
| dc.identifier.scopus | 2-s2.0-85107546393 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.14365/3267 | |
| dc.language.iso | en | en_US |
| dc.publisher | Bloomsbury Publishing Plc. | en_US |
| dc.relation.ispartof | Music as Multimodal Discourse: Semiotics, Power and Protest | en_US |
| dc.rights | info:eu-repo/semantics/closedAccess | en_US |
| dc.title | Authenticity and Subversion: Articulations in Protest Music Videos’ Struggle With Countercultural Politics and Authenticity | en_US |
| dc.type | Book Part | en_US |
| dspace.entity.type | Publication | |
| gdc.author.institutional | Way, L.C.S. | |
| gdc.author.scopusid | 39062373000 | |
| gdc.coar.access | metadata only access | |
| gdc.coar.type | text::book::book part | |
| gdc.description.department | İzmir Ekonomi Üniversitesi | en_US |
| gdc.description.departmenttemp | Way L.C.S., Izmir University of Economics, Izmir, Turkey | en_US |
| gdc.description.endpage | 117 | en_US |
| gdc.description.publicationcategory | Kitap Bölümü - Uluslararası | en_US |
| gdc.description.scopusquality | N/A | |
| gdc.description.startpage | 95 | en_US |
| gdc.description.wosquality | N/A | |
| gdc.identifier.wos | WOS:000402262300006 | |
| gdc.index.type | WoS | |
| gdc.index.type | Scopus | |
| gdc.scopus.citedcount | 9 | |
| gdc.virtual.author | Way, Lyndon | |
| gdc.wos.citedcount | 4 | |
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