Preface
| dc.contributor.author | Way, L.C.S. | |
| dc.contributor.author | McKerrell, S. | |
| dc.date.accessioned | 2025-03-25T21:41:00Z | |
| dc.date.available | 2025-03-25T21:41:00Z | |
| dc.date.issued | 2017 | |
| dc.identifier.doi | 10.1080/03610920701300837 | |
| dc.identifier.isbn | 9781474264440 | |
| dc.identifier.isbn | 9781474264426 | |
| dc.identifier.issn | 0361-0926 | |
| dc.identifier.issn | 1532-415X | |
| dc.identifier.scopus | 2-s2.0-85197987878 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.14365/6023 | |
| dc.language.iso | en | en_US |
| dc.publisher | Bloomsbury Publishing Plc. | en_US |
| dc.relation.ispartof | Music as Multimodal Discourse: Semiotics, Power and Protest | en_US |
| dc.rights | info:eu-repo/semantics/closedAccess | en_US |
| dc.title | Preface | en_US |
| dc.type | Editorial | en_US |
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| gdc.description.department | İzmir Ekonomi Üniversitesi | en_US |
| gdc.description.departmenttemp | Way L.C.S., Izmir University of Economics, Izmir, Turkey; McKerrell S., The International Centre for Music Studies, Newcastle University, United Kingdom | en_US |
| gdc.description.endpage | xxi | en_US |
| gdc.description.publicationcategory | Diğer | en_US |
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| gdc.description.startpage | xiv | en_US |
| gdc.description.volume | 36 | |
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| gdc.virtual.author | Way, Lyndon | |
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