Legacy of Arts and Chrono-Urbanism in Wynwood, Miami

Abstract

Significant progress in the concept of chrono-urbanism has occurred since the pandemic, partly driven by the adoption of the 15-minute city model from European and Asian cities to the United States. In recent years, Miami's urban planning has shifted toward mixed-use development and densification, with neighborhoods like Wynwood embracing chrono-urbanism and arts-focused redevelopment strategies. Our study examines this transition in Wynwood, focusing on the role of the arts using a mixed-methods approach. We find that positive developments in business and real estate, particularly within 5- and 10-minute walking and biking catchment areas, contributing to a more mixed-use community. However, the closure of art galleries and the redevelopment of vacant lots and older buildings into high-rise developments are replacing the organic street art that initially attracted artists and visitors. This shift has led to more commercialized, commissioned art pieces that meet building codes but lack the unique character of the original works. During interviews, gallery representatives expressed concern that Wynwood is evolving from an arts district into a high-priced area known more for its murals than its creative community. Although chrono-urbanism is being adopted in many cities, differences in economic, cultural, political, and geographic contexts necessitate those approaches be tailored to each urban environment. © 2025 Elsevier Ltd